Artist
Minjung Kim
Minjung Kim (*born 1962, Gwangju, Republic of Korea) is a contemporary Korean artist known for her transparent ink works and subtle compositions on layered mulberry hanji paper. Her practice fuses traditional Korean aesthetics with a process-oriented, meditative approach. Through repeated layering and the careful burning of paper, she addresses themes of time, memory, and emotional healing. She understands movement, color, and rhythm as direct expressions of her inner state. Encouraged by her family from an early age, Kim studied Oriental calligraphy and painting as a teenager with various teachers, including the watercolorist Yeongyun Kang. This training gave her a profound understanding of Asian philosophical traditions, in which continuity and the flow of energy are central—qualities that Jean-Christophe Ammann also identified as essential to Eastern art. For Kim, the controlled, focused brushstroke became a means of consciously channeling energy. In 1980 she began her studies at Hongik University in Seoul, graduating in 1985 and completing a master’s degree focused on the four fundamental materials of ink painting. Drawn to Western art, she subsequently moved to Milan and graduated from the Accademia di Brera in 1991. Engaging with artists such as Paul Klee and Franz Kline led her gradually away from figurative tradition toward an abstract visual language. Since 1998, Kim has primarily worked with superimposed layers of paper that she partially burns to reveal spatial and temporal dimensions. Her work has been exhibited worldwide, including at the Venice Biennale 2015, and is held in numerous international museum and private collections. Today, Minjung Kim lives and works in France and the United States.