Rupprecht Matthies, recipient of the renowned Ars Viva Prize awarded by the Kulturkreis der deutschen Industrie im BDI (1989), lives and works in Hamburg. Since the 1990s, he has developed a body of work that understands language as poetic, social, and political material. Words, sentences, and linguistic fragments are transformed into spatial, visual, and emotional experiences. His works move between installation, sculpture, drawing, paper cutting, mobiles, and public art.
Matthies became internationally known particularly for his text installations and site-specific works, in which language addresses questions of memory, identity, belonging, and social coexistence. His projects have been realized in numerous international exhibitions, museums, and public spaces, including in the USA, South Korea, India, Austria, and various European institutions and collections.
In addition, Matthies developed large-scale installations for Munich Re and Siemens in close collaboration with employees and executive management. In these works, he connects artistic language with collective experience, communication processes, and questions of corporate culture.
Alongside his language-based works, Matthies engages deeply with art historical traditions. In particular, his delicate paper cuts reinterpret motifs of the Old Masters as well as works by Philipp Otto Runge, translating them into a contemporary and poetic visual language. In doing so, he combines historical references with questions of spirituality and the present.
His work is distinguished by a unique combination of conceptual precision, social sensitivity, and poetic openness.